LACPUG Next Meeting

NOTE: lacpug generally meets every 4th Wednesday of the Month. Meetings are open to public and ALL, beginning through advanced Digital Story Tellers are welcome. Digital projection made possible through the generous sponsorship of Adobe Systems, DVCreators, DigitalFilm Tree, OWC, VES and members like you. lacpug meetings are presented in association with the Barnsdall Gallery Theater, a facility of the City of Los Angeles Department of Cultural Affairs.

Agenda (subject to change and availability of artists) -

6:45- 7:15PM - Stump the Gurus
Join guest Gurus TBA as they will attempt to answer all of your questions and solve all of your problems concerning Resolve, FCPX, Avid, Premiere Pro, getting a job and Networking. And anything else you can think of. If they can't solve your problem or answer your question, then you go home with a problem, but you still got out of the house, so that's not a bad thing.

7:20PM - 8:05PM - “How I Learned To Stop Worrying And Make My Motion Graphics Inside Premiere Pro!” - John Knowles.
John will take you through all the new features of Essential Graphics and beyond, from setting styles across text and subtitles to creating grid layouts and animated graphics that go pop. Don’t know After Effects? No problem! We’re going to stay entirely in Premiere Pro and explore all the hidden tricks to make compelling motion graphics using the tools you already know.

About John Knowles
John V. Knowles is a Los Angeles-based filmmaker and post production geek who has spent the better part of his highly-caffeinated waking hours as a designer, editor, animator and workflow consultant. He has worked with studios, corporations, large production companies and small businesses on a wide variety of projects. Highlights include: senior editor, lead motion graphics designer, series executive producer (unscripted), lead animator on series and docs, remote editing a YouTube show during the pandemic and directing a heap of commercials, corporate videos, PSAs and a feature film. John has translated this experience into teaching and has instructed hundreds of students across the country on Adobe products.
A short list of clients include Adobe, Abbott Labs, ACLU, Automat Pictures, Beachbody, Bunim/Murray Productions, Buena Vista Intl., ConAgra, Deloitte, Friends at Work, HBO Documentaries, KeyCode Education, Lambda Legal, METRO Los Angeles, Playboy TV, Walt Disney Feature Animation, Unrealistic Ideas and Wild Card.

8:10PM- 8:35PM - Break
This is the most important part of the show. It's networking time. This is a great opportunity to not only ask questions and get problems solved, but to meet people that just might change your life. Special thanks to Cornelius Miller for donating snacks and drinks.

8:40- 9:25PM - Shaping Success: Mentorship's Role in the Editing Room - Joaquin Elizondo and Chris Cavanagh
Chris and I are thrilled to share our experience working on the Netflix limited series GRISELDA, along with our process of securing a co-editing credit for Chris on the show. Throughout our discussion, we'll explore the intricacies of our creative collaboration, shedding light on the workflow we've also implemented on such shows as DARK WINDS and NARCOS: MEXICO.

Getting Chris a co-editing credit is a testament to the profound impact of mentorship and support in our field. We'll provide practical advice on navigating the steps to attain a co-editing credit on a scripted TV show.

Transitioning to the broader theme of mentorship, I'll draw upon personal experiences and insights from my mentors. I'll highlight the invaluable role of mentorship in nurturing talent and driving growth within the editing community. Additionally, I'll share details about my Hollywood Editing Mentor program, aimed at equipping aspiring editors with the tools and guidance to thrive in the industry.

About Joaquin Elizondo
Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo).
Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo.
Joaquin majored in Film & Video Studies at the University of Michigan and grew up in the San Diego-Tijuana border region. As someone who has sought out and benefited from mentoring, Joaquin is now taking on the role of mentor by helping aspiring editors and assistants in navigating the path to achieving their career goals. He created the Hollywood Editing Mentor Program and Podcast to provide guidance and support for those trying to break into or advance their careers in post production.

About Chris Cavanagh
Chris is a film & TV editor who moved to Los Angeles eight years ago. For him, editing is not just a profession, it's a passion. He creates human emotion for a living and plays a crucial role in bringing stories to life on screen. Chris believes that a good editor is committed to fully engaging the viewer in every moment from start to finish.
In recent years, he has been pursuing his passion for editing scripted stories and has served as an editor for two Netflix series: "GRISELDA" and "NARCOS: MEXICO." This year, Chris has been editing a sci-fi short film produced by George R.R. Martin, set to debut in late 2024.
Before working on these notable film & TV projects, he gained experience as an assistant editor and was mentored by top-shelf editors on "DARK WINDS" for AMC, "Cobra Kai" for Netflix, and "Star Trek" for Paramount+. Even earlier, Chris edited dozens of unscripted TV shows, documentaries, and indie films in New York City.
No matter the genre or project, the cornerstones of his approach are collaboration and trust. For Chris, helping creators achieve their vision is the most satisfying part of the art of editing.
When he's not in a cutting room, Chris enjoys playing with his two kids, cooking dinner with his wife, or attempting to complete one of the 7,942 daily tasks required to exist as both a professional and a parent in the 21st century.

World Famous Raffle (subject to change)
1 1 Year Subscription Adobe Creative Cloud +Adobe Mugs & Adobe Pins - Adobe
1 Year Subscription Maxon ONE- Maxon
1 Year Subscription Boris FX Suite - BorisFX
1 Year Subscription Avid Media Composer - Avid
2x Blackmagic Resolve Studio - Blackmagic Design
1 T-shirt - Endcrawl
8x Picture This and/or Embiggen - Intelligent Assistance
1x Pro Maintenance Tools - Digital Rebellion
3x Cineplay - Digital Rebellion
1x Pro Pro Media Tools - Digital Rebellion
Automatic Duck Bottle Openers - Wes Plate

Directions

Click here for Google Map

Click HERE to download a PDF(300K) of the grounds that points out the parking areas and includes other helpful hints.

The Gallery Theater at Barnsdall Art Park
4800 Hollywood Boulevard
(between Vermont and Normandie)
Hollywood, CA 90027
Phone: 323.644.6272

Enter through the gate on Hollywood Blvd just West of Berendo. The theater is at the top of the hill, adjacent to the art gallery.

From US 101 (heading South),
take the Hollywood Boulevard exit.
Turn left at the end of the exit ramp onto Hollywood Boulevard.
Turn right into the entrance to Barnsdall Art Park at 4800 Hollywood Boulevard. (you will only see a parking lot. Drive to top of hill to find the Gallery Theater)
The Gallery Theater is in the center of the park.

From US 101 (heading North),
take the Vermont Avenue exit.
Turn right at the end of the exit ramp onto Vermont Avenue.
Turn left onto Hollywood Boulevard.
Turn left into the entrance to Barnsdall Art Park at 4800 Hollywood Boulevard. (you will only see a parking lot. Drive to top of hill to find the Gallery Theater)
The Gallery Theater is in the center of the park.

Metro Red Line
Yes, Los Angeles has a subway and if possible you ought to use it. Riders are dropped of at Sunset and Vermont and then it is a walk of several blocks and uphill to get to the Theatre. The Park has a gated stairway ending at Barnsdall Ave, just behind the strip mall. It's the only access point from this side, but it is often locked. There is long, tree-shaded stairway leading from Hollywood Blvd to the Gallery Theatre and this area is sometimes shared with a homeless population. The best route for people who use mobility devices is the sidewalk along the Barnsdall Park road access. More info on the Red Line can be found here.

PARKING: Parking is FREE. There is ample parking on top of hill near the Art Park. Parking extends around the perimeter of the Park. NOTE: Please park your car diagonally even though the spaces are not marked that way. If there are no spaces to park at top, then use parking lot at bottom of hill near Hollywood Blvd. Click HERE to download a PDF(300K) of the grounds that points out the parking areas and includes other helpful hints.

What to do if I cant find a place to park?
Park at the Kaiser Hospital Parking lot. Download directions HERE - or...

1. Turn right on Hollywood Blvd
2. Turn right on Vermont Ave
3. Turn right on Sunset Blvd.
4. Turn right into Kaiser Parking Structure
5. Park on rooftop
6. Take elevator down to Level 2
7. Exit at Parking Entrance on Barnsdall Ave.
8. Cross Street to Barnsdall Park
9. Use Stair or elevator to Park
10. Climb stairs and follow signs to Gallery Theatre
11. Cost is $4.00 (I think) And security is provided.

Wheelchair access: Park in the lot next to the Hollyhock house (you will see a handicap parking sign), come into the theatre entrance, and take the elevator down. There will be space in the front of the theatre for wheelchairs.

Before or after the meeting, there is a fine restaurant row on Vermont between Hollywood and Franklin (just around the corner from the park). There are also a number of funky ethic eateries along Hollywood Blvd.

lacpug meetings are presented in association with the
Barnsdall Gallery Theatre, a facility of the City of Los Angeles
Department of Cultural Affairs
Digital Projection provided by Adobe,
DigitalFilm Tree, OWC, DVCreators and lacpug Members