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Jays v-Jays Review

4.0
Excellent
By Tim Gideon

The Bottom Line

Jays' v-Jays headphones offer quality audio performance at moderate volumes in a simple, lightweight design that's affordable.

MSRP $59.99
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Pros

  • Solid overall audio performance, with crisp highs and a rich, tempered bass response.
  • Simple, well-implemented design.
  • Comfortable fit.

Cons

  • Very minor distortion occurs at top volumes on tracks with seriously deep bass.
  • No inline remote or microphone for mobile devices.
  • No carrying pouch.

Jays, the Swedish purveyor of affordable, stylish and simple headphones, has a wide array of options to choose from. The Jays v-Jays are an supra-aural (on-ear) pair that costs and look like a more stylish version of what used to come with a portable cassette player. Thankfully, affordable headphone audio has improved drastically since the days of the Walkman on-ear options. The v-Jays ($59.99 direct) are extremely lightweight and comfortable, and offer solid audio performance for this price range. Some very minor distortion on deep bass tracks occurs at top volumes, but at safe listening levels, the v-Jays offer crisp audio with surprisingly robust bass response for their size and price.

Design
Spare, nearly all-back design is the name of the game for Jays, and the v-Jays are a fine example of this no-frills aesthetic. At only 2.1 ounces, the v-Jays are quite light, and they can be adjusted to provide a secure fit without pushing hard on your ears or scalp. The foam covers for the rounded-corner square earpieces are comfortable, and a thin felt band along the underside of the headband keeps the fit secure. The v-Jays fold down at hinges just above each ear, and both the hinges and the sliding headband move gracefully. It may be affordable and lightweight, but the pair feels well constructed. The Jays logo—the only marking on the headphones—appears in white on each earpiece.Jays v-Jays inline

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A black cable extends from each ear, until the two join together around mid-torso. The 23.5-inch cable doesn't extend too much further, and this makes a clutter-free, tangle-free experience more possible, especially if you're using the headphones with a player in an coat pocket or on an armband. If you want a longer cable length, never fear: There's a cable extender that adds another 27.5-inches of cable length in the box. There's no inline remote or microphone for mobile devices, however.

Other than an extra pair of foam ear cushions, there are no other accessories. A carrying pouch or case would've been nice, especially since the v-Jays fold down to a compact-enough size to fit in one easily, but it's tough to get too picky for $60.

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Logitech_UE_4000
editors choice horizontal
4.0
Excellent

Logitech UE 4000

Performance
On tracks with serious sub-bass content, like the Knife's "Silent Shout," the v-Jays begin to distort ever-so-slightly at top volumes. At roughly 75-80 percent volume on an iPhone 5, there was no distortion, and at 100 percent—an unsafe listening level—the distortion was only minimal. Since plenty of more expensive headphones have distorted far worse than the v-Jays do on this track, it's hard to consider this a real issue—especially since the affordable headphones deliver a rich bass response when the volume isn't cranked. It's not intense bass like, say, the Denon Urban Raver AH-D320($21.95 at Amazon) offers, but a more refined, articulate low-end.

Tracks like Bill Callahan's "Drover" benefit from the v-Jays crisp hi-mid response, helping his deep vocals maintain a treble edge and stand out in the forefront of the mix. The low-end response lends itself nicely to the drumming on this track—on pairs with overly boosted bass, these drums can sound too powerful, overtaking the mix and competing with the vocals for your attention. Here, the constant thumping of the drums has a nice heft to it without going overboard.

On Jay-Z and Kanye West's "No Church in the Wild," the response is a little less ideal. The kick drum loop's attack gets a nice crisp edge, but the sub-bass synth hits underneath the loop don't have the depth they would on a more powerful headphone pair that has a bit more deep low-end presence. Things never sound weak or tinny, but the bass thump on this track sounds a bit toned down.

On classical tracks, like John Adams' "The Chairman Dances," the v-Jays sound more solid—the crisp highs help the higher register strings and brass take the spotlight, but the lower register instruments have a nice richness to them, as do the big drum hits at the end of the track. What this tells us is the bass response of the v-Jays, unsurprisingly, focuses more on standard low frequencies and low-mids than it does the sub-bass range—thus, a classical track can sound like it has a nice low-end presence to it, but the Jay-Z/Kanye track, which relies more on sub-bass hits for its depth, sounds less full-bodied.

If deep sub-bass response is what you're after, you may have to spend a bit more. The aforementioned Denon Urban Raver AH-D320 definitely serves up a hefty potion of bass, but it's far more expensive. The Skullcandy Hesh 2( at Amazon) is a more affordable bass-lover option, though it's still a bit more expensive than the v-Jays.

The RHA SA950i has a very sculpted audio response—less balanced than the v-Jays, but it comes with an inline mic and remote, as well as a fully detachable cable. And if you can spend a little more, our Editors' Choice for budget headphones, the $100 Logitech UE 4000 is comfortable, delivers deep bass without too much boosting, and with no distortion, even at top volumes. At $60, however, the v-Jays represent a solid, no-frills option for music lovers craving a crisp and clear audio performance without giving up on bass response.

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About Tim Gideon

Contributing Editor, Audio

Tim Gideon

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

Read Tim's full bio

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Jays v-Jays